Laughing Through a Questionable Comedy:An analysis of the American Conservatory Theatre’s 1976 The Taming of the Shrew
Many people have many complicated feelings over The Taming of the Shrew, but the American Conservatory’s 1970s production tries to drown out the questionable plot through sheer joie de vivre. It is not hyperbole to say that this version of Taming is one of the funniest and most enjoyable Shakespearean productions you will ever see.
Globe on Screen’s 2012 Twelfth Night: Practically time travel
When one tries to create an authentic Shakespeare play, they usually limit themselves to not changing the language or cutting scenes. But this 2012 production went above and beyond, to the point where their all male cast wore period accurate costumes that were even created through period methods.
Emma Rice’s A Midsummer Night’s Dream: Replacing the magic with mayhem
When you set about staging a Shakespeare piece, people either tend to stay true to what the original production might have looked like, or they try to delve into new frontiers. Emma Rice’s 2016 production of A Midsummer Night’s Dream did the latter… with mixed results.
Laurence Olivier’s 1944 Henry V:A great piece of propaganda, a poor showing of Shakespeare
Laurence Olivier’s filmed version of Henry V is one of the most recognizable and successful movie adaptations of Shakespeare. Why is that? In this review we will look into the context that surrounded the film, and why during WWII the British government decided to fund a film about invading and defeating France.
The Act of Concealment, as Described by Heraclitus, in the Odyssey
Heidegger is a phenomenal theorist who’s musings on language has provided endless amounts of scholarship. In this essay we peer into his musing on concealment, specifically on how it is seen in the original Greek text of the Odyssey.
Analysis of The Play that Goes Wrong: Laughing at Our Problems
Who knew that a simple comedy can vary drastically based on the audiences’ careers? In this analysis, The Play That Goes Wrong is used to explain comedic theory, including empathizing, social theory, and the ever cheery “theory of superiority”.
David Edgar’s play Destiny: Why Did He Write it?
Written in late 2020, this is an analysis of the what inspired David Edgar to write his politically charged play Destiny. His play focuses of class, race, and political divisions within England. These tense scenarios may seem absurd, but during the 2020 Covid pandemic in America, they are all to apropos.
Review of Dramaturgical Literature and Annotated Bibliography
A review of literature is a comprehensive overview of all the written work, sources, and materials dealing with a specific topic. The aim is to list plainly what is being researched, what isn’t, and how the field can grow. An annotated bibliography is a works cited list where each source has a detailed synopsis, discussing what is in that source and analyzing it’s content. 23 sources, 30 pages in length, this research is the culmination of 5 months of work.
So when you combine these two, you get an incredibly thorough research piece on whatever topic you chose. In this case, dramaturgy. This piece details the research that has been conducted in the field of dramaturgy, what things are being written about, and what things are not being written about.
King Lear: Dramaturgical Casebook
This is a dramaturgical casebook for the play King Lear, written for WVU’s 2020 Theatre 370 Dramaturgy class. It includes synopses and analyses of the play, history of the text and author, a glossary of quotes for themes, and links to video interviews with the directors and casts of notable productions.
Much Ado About Nothing: How Clever Writing Can Elevate a Common Plot
The use of standard, “cookie-cutter” plots was quite common in the Elizabethan era; plays would follow a strict plot and be full of archetypal characters that the audience would know.
This essay dissect on of Shakespeare’s most famous comedies, Much Ado About Nothing . This piece initially appears to be a standard plot play, which a common plot and a cast of stock characters. However, Shakespeare elevates the standard plot from rote romance to a considerable comedy, through the use of immensly clever language and some extra characters who wield it beautifully.
Why Satire
Written in December 2018, this essay focuses on why in the 1970s satire became the dominant form of comedy. This was the final assingment for a class labelled “Comedy and Cognitive Dissonance” taught by Dr. Jay Malarcher; as such this essay revolves around what socio-political events shaped the collective psyche of the American people to a point where they vented their opinions through satire. Why satire specifically? Do socio-political events really change a nation’s mental tastes? Did any other countries follow suit?
One of the primary sources for this paper was Charles Burkhart, a good man and family friend, who passed away a few months later in 2019. Thank you Chuck for talking to me about this part of America’s history.
The Phantom Tollbooth: Dramaturgical Casebook
This is a dramaturgical study guide for the play The Phantom Tollbooth, written for WVU’s 2019 production. It includes synopses and analyses of the original book and the adapted script, biographies of the author, illustrator, and playwright, design images by the WVU costume and scenic shops, and an interview of the playwright Susan Nanus. Also included are questions to help you explore the themes of the play.